An elevator pitch, for the uninitiated, is the spiel one delivers to a prospective customer or investor in a spontaneous and time-constrained environment (like, say, during an elevator ride). It's a critically important communications tool used in both planned as well as serendipitous situations; nailing it can make all the difference on a trade-show floor, in a VC-friendly breakfast spot or while watching 11-year-olds play soccer on any Darien, Saratoga or Winnetka weekend morning.
While there is a level of skill involved in elevator pitch delivery (and practice definitely enhances natural skill levels), the real spade work comes in the discipline of crafting the script. There are several resources out there which detail the process, such as this on Dumb Little Man and this on The Closet Entrepreneur, cheesy Eminem lyric notwithstanding. Harvard Business School has developed a nifty tool which details the process quite nicely; while Buzzuka offers a more twitter-oriented resource.
Generally, the most effective elevator pitches have two parts: a 10-15 second opening which makes a dynamic and succinct case for why you should be heard and another 60 - 90 seconds of ensuing support, delivered in inverted pyramid style as, at any moment, those metaphoric elevator doors are going to open.
From a content standpoint, an elevator pitch should clearly state what problem you will solve for your audience and then provide persuasive support as to how or why you can solve this problem. This support should come from two angles: rational evidence consisting of relevant, specific examples of how you do it and more emotional cues showing that you are capable. More often than not, you are selling yourself as much as the product or solution you are pitching so confidence and competence are important attributes to communicate.
From a content standpoint, an elevator pitch should clearly state what problem you will solve for your audience and then provide persuasive support as to how or why you can solve this problem. This support should come from two angles: rational evidence consisting of relevant, specific examples of how you do it and more emotional cues showing that you are capable. More often than not, you are selling yourself as much as the product or solution you are pitching so confidence and competence are important attributes to communicate.
If you are delivering your pitch in the hopes of raising investment capital, as were the contestants at the CT Tech Council summit, there are some particulars you must include: a revenue model demonstrating profit potential, a description of company backers and a clear and crisp competitive advantage. Robert Pagliarini of SeekingCapital.com lists other requirements, such as showing passion and having a definitive 'ask' as part of your conclusion.
The other two pitches provided cautionary tales. Sir Groovy, a music licensing enabler, seemed simultaneously slick and sloppy. The founder, clad in a very hip black lame sport coat paired with cargo pants, leaned heavily on amateurish and mis-edited video clips which called his judgement into question; it doesn't surprise me that here on 4 November their website still says "Launching soon - 11.01.2011". Finally was SmallTalk, a smartphone app to help users find one another and then start conversations at large, networking events. Represented by two of the company's founders, it soon became clear (by their own admission) they were the least experienced presentation team; they froze up uncomfortably during key points of their pitch and couldn't get back on track. In delivering an elevator pitch, the importance of rehearsal cannot be overstated.
The bottom line when it comes to elevator pitches can be summarized by Sir Winston Churchill who famously said "Be clear, be brief and be seated."
The three companies making pitches last Thursday were My Luck Club, Sir Groovy and Small Talk. I was most impressed with Phyliss Pierce, founder of My Luck Club - a social-powered crowd sourcing site which matches 'luck seekers' (people looking for jobs, apartments, etc.) with 'luck makers' (people connected to those wants). Phyliss was clearly passionate about her venture, she had an engaging personal story and she exuded confidence and sincerity. Her idea was clearly stated in a low-tech and easily comprehensible manner; and she looked like she was having fun.
The other two pitches provided cautionary tales. Sir Groovy, a music licensing enabler, seemed simultaneously slick and sloppy. The founder, clad in a very hip black lame sport coat paired with cargo pants, leaned heavily on amateurish and mis-edited video clips which called his judgement into question; it doesn't surprise me that here on 4 November their website still says "Launching soon - 11.01.2011". Finally was SmallTalk, a smartphone app to help users find one another and then start conversations at large, networking events. Represented by two of the company's founders, it soon became clear (by their own admission) they were the least experienced presentation team; they froze up uncomfortably during key points of their pitch and couldn't get back on track. In delivering an elevator pitch, the importance of rehearsal cannot be overstated.
The bottom line when it comes to elevator pitches can be summarized by Sir Winston Churchill who famously said "Be clear, be brief and be seated."